Atonement is structured around a series of oppositions: war and peace, guilt and innocence, literature and medicine, imagination and fact. The novel seems to elevate fact above imagination by showing the disasters that the latter can lead to. The central villain of the piece is a fantasist-novelist. But the work as a whole takes the form of a novel which breathes imagination into historical fact, and in doing so undermines the binary distinctions on which the novel appears to turn.
Watch podcast This lecture, given in June 2015 at the How The Light Gets In (Institute of Arts and Ideas) festival, which sits alongside the Hay-on-Wye literary Festival, concentrates a discussion of the ethics of torture in the War on Terror by focusing on the...
Watch podcast. This lecture, given in June 2015 at the How The Light Gets In (Institute of Arts and Ideas) festival, which sits alongside the Hay-on-Wye literary Festival, is a survey of some of the key aspects of sex in literature in the nineteenth and...
Watch podcast If you live in a British town or city, the Victorians will be all around you. To become aware of them (to take the example of London) try to imagine what existed of London before 1837 (not much), and what existed of it by 1901. The Victorians destroyed...
Watch podcast We should be careful of generalising about 'the Victorians'. 1837-1901 was a huge period of vast changes. The early part of the period should be understood with reference to the Regency, which came before it; the later part should be understood with...