I was intrigued to see this succès de scandale. It had been called ‘revolting’ by the Russian Communist Party, and ‘disgraceful’ by Peter Hitchens. According to some it reflected on Putin, whilst according to David Cameron it reflected on Theresa May. It was praised as Iannucci’s deepest work, and condemned as a grosss lapse from form. It has not yet received a Russian license, and it grossed twice in its opening weekend what In the Loop did in 2009. I went fully prepared to hate it and walk out.
In the event, I stayed in my Everyman armchair to the credits’ end, so may now toss my own ha’pennyworth into the furor.