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	<title>Films | Catherine Brown</title>
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		<title>D. H. Lawrence and: Film</title>
		<link>https://catherinebrown.org/film/</link>
		
		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Tue, 30 Jun 2020 08:20:46 +0000</pubDate>
				<category><![CDATA[2019-20]]></category>
		<category><![CDATA[D.H.Lawrence Group]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Literature]]></category>
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					<description><![CDATA[&#160; &#160; Report of the Ninth Meeting of the London D. H. Lawrence Group Catherine Brown Lawrence&#8217;s Short Stories on Film &#160; &#160; Thursday 25th June 2020 &#160; By Zoom (during period of Coronavirus lockdown) &#160; 6.30-8.30 pm     ATTENDERS &#160; Shirley Bricout, in Vannes, Brittany, France Catherine Brown, in Kilburn, London Nicolas Ceramella, [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>The Ethics and Politics of &#8216;Killing Eve&#8217;</title>
		<link>https://catherinebrown.org/the-ethics-and-politics-of-killing-eve/</link>
		
		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Sun, 21 Jun 2020 22:18:25 +0000</pubDate>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[Politics]]></category>
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					<description><![CDATA[&#160; &#160; The following article was written for The Article and published on 21st May 2020; it may be read here. What appears below is a pre-edited version. &#160; &#160; &#160; Killing Eve, made for BBC America and iPlayer and released 2018-20, is a spy thriller of (so far) three seasons of eight 41-55 minute episodes &#160; [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Loveless</title>
		<link>https://catherinebrown.org/loveless/</link>
		
		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Sun, 25 Feb 2018 00:43:07 +0000</pubDate>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[divorce]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Loveless]]></category>
		<category><![CDATA[Marriage]]></category>
		<category><![CDATA[Russia]]></category>
		<category><![CDATA[Russophobia]]></category>
		<category><![CDATA[Zvyagintsev]]></category>
		<guid isPermaLink="false">https://catherinebrown.org/?p=1865</guid>

					<description><![CDATA[This 2017 study by Russian director Andrei Zvyagintsev of an acrimoniously-divorcing middle-class Muscovite couple, and the disappearance of and search for their desperately neglected son, is brilliant and wise. Some Western critics of the film have, however, read it through the lens of the currently-dominant Russophobia, and in doing so have placed on it a political weight that it cannot bear.]]></description>
		
		
		
			</item>
		<item>
		<title>The Death of Stalin</title>
		<link>https://catherinebrown.org/the-death-of-stalin/</link>
		
		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Thu, 14 Dec 2017 10:07:15 +0000</pubDate>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[Russia]]></category>
		<category><![CDATA[satire]]></category>
		<category><![CDATA[Stalin]]></category>
		<category><![CDATA[The Death of Stalin]]></category>
		<guid isPermaLink="false">https://catherinebrown.org/?p=1808</guid>

					<description><![CDATA[I was intrigued to see this succès de scandale. It had been called ‘revolting’ by the Russian Communist Party, and ‘disgraceful’ by Peter Hitchens. According to some it reflected on Putin, whilst according to David Cameron it reflected on Theresa May. It was praised as Iannucci’s deepest work, and condemned as a grosss lapse from form. It has not yet received a Russian license, and it grossed twice in its opening weekend what In the Loop did in 2009. I went fully prepared to hate it and walk out.



In the event, I stayed in my Everyman armchair to the credits’ end, so may now toss my own ha’pennyworth into the furor.
]]></description>
		
		
		
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		<item>
		<title>Lipstick on Your Collar: My Fascination for the Nineteen-Fifties</title>
		<link>https://catherinebrown.org/lipstick-on-your-collar-my-fascination-for-the-nineteen-fifties/</link>
		
		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Sun, 20 Aug 2017 19:39:34 +0000</pubDate>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[Reflections]]></category>
		<category><![CDATA[Dennis Potter]]></category>
		<category><![CDATA[national service]]></category>
		<category><![CDATA[nineteen-fifties]]></category>
		<category><![CDATA[Suez Crisis]]></category>
		<guid isPermaLink="false">https://catherinebrown.org/?p=1676</guid>

					<description><![CDATA[&#160; There are, I find, many advantages to being born relatively late for your generation. Your parents know pretty much what they are about; they grow old when you still have a strong arm with which to support them; and, most importantly, they connect you to a bigger historical span. &#160; Such is my situation, [&#8230;]]]></description>
		
		
		
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		<title>Fakespeare makes good, apart from on Leveson: King Charles III</title>
		<link>https://catherinebrown.org/fakespeare-makes-good-apart-from-on-leveson-king-charles-iii/</link>
		
		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Sun, 28 May 2017 00:37:35 +0000</pubDate>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[future history]]></category>
		<category><![CDATA[King Charles III]]></category>
		<category><![CDATA[Leveson Inquiry]]></category>
		<category><![CDATA[Mike Bartlett]]></category>
		<category><![CDATA[press regulation]]></category>
		<category><![CDATA[royalism]]></category>
		<category><![CDATA[Tim Piggott-Smith]]></category>
		<guid isPermaLink="false">https://catherinebrown.org/?p=1646</guid>

					<description><![CDATA[The new film adaptation of Mike Bartlett's 2014 play King Charles III is impressively versified and acted, and wise about the heaviness of heads that wear crowns even today - but sadly it gets it wrong about Lord Leveson's recommendations about the regulation of the press.]]></description>
		
		
		
			</item>
		<item>
		<title>Three Girls: A Magnificent Response to the Rochdale Child Abuse Ring</title>
		<link>https://catherinebrown.org/three-girls-magnificent-response-to-the-rochdale-child-abuse-ring/</link>
		
		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Fri, 26 May 2017 04:06:11 +0000</pubDate>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[Child abuse]]></category>
		<category><![CDATA[Prostitution]]></category>
		<category><![CDATA[Rochdale]]></category>
		<category><![CDATA[the Law]]></category>
		<guid isPermaLink="false">https://catherinebrown.org/?p=1615</guid>

					<description><![CDATA[The BBC has produced a magnificent three-hour dramatic response to the Rochdale child abuse scandal, which was only uncertainly brought to its end with the trial of nine men in 2012, and which was eclipsed in its horror by similar events in Oxford - where I was living at the time.]]></description>
		
		
		
			</item>
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		<title>Fear on Camera: Papa Doc&#8217;s Haiti</title>
		<link>https://catherinebrown.org/fear-on-camera-papa-docs-haiti/</link>
		
		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Thu, 26 Jan 2017 03:24:17 +0000</pubDate>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[Haiti]]></category>
		<category><![CDATA[Papa Doc]]></category>
		<category><![CDATA[terror]]></category>
		<category><![CDATA[Torture]]></category>
		<guid isPermaLink="false">https://catherinebrown.org/?p=1547</guid>

					<description><![CDATA[Graham Greene's novel 'The Comedians' leads me to a contemporary documentary about Papa Doc's Haiti, and to wonder why documentaries can't convey a population's terror the way that fiction can.]]></description>
		
		
		
			</item>
		<item>
		<title>Rough Justice: &#8216;And Then There Were None&#8217; &#038; &#8216;An Inspector Calls&#8217;</title>
		<link>https://catherinebrown.org/rough-justice/</link>
		
		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Mon, 16 May 2016 00:42:02 +0000</pubDate>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Plays]]></category>
		<category><![CDATA[Agatha Christie]]></category>
		<category><![CDATA[J.B. Priestley]]></category>
		<category><![CDATA[justice]]></category>
		<guid isPermaLink="false">https://catherinebrown.org/?p=1421</guid>

					<description><![CDATA[Two 2015 BBC1 adaptations of mid-twentieth-century classics - 'An Inspector Calls', and 'And Then There Were None' - struck me with the similarity of these works' themes, and the opposition of their conclusions.]]></description>
		
		
		
			</item>
		<item>
		<title>Corfus of the Mind</title>
		<link>https://catherinebrown.org/corfus-of-the-mind/</link>
		
		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Thu, 12 May 2016 23:14:28 +0000</pubDate>
				<category><![CDATA[Films]]></category>
		<category><![CDATA[Reflections]]></category>
		<category><![CDATA[Corfu]]></category>
		<category><![CDATA[Gerald Durrell]]></category>
		<category><![CDATA[Lawrence Durrell]]></category>
		<category><![CDATA[Theodore Stephanides]]></category>
		<guid isPermaLink="false">https://catherinebrown.org/?p=1400</guid>

					<description><![CDATA[The recent ITV series 'The Durrells' has prompted some reflections on Gerald Durrell's Corfu trilogy, on Lawrence Durrell's and Theodore Stephanides' own memoirs of Corfu of the 1930s, and on the exclusions that they make in their memoirs of that happy time and place.]]></description>
		
		
		
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