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		<title>The Edinburgh Companion to D.H. Lawrence and the Arts</title>
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		<pubDate>Thu, 24 May 2018 11:19:00 +0000</pubDate>
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					<description><![CDATA[&#160; The Edinburgh Companion to D. H. Lawrence and the Arts was published in October 2020. &#160; It is part of the Edinburgh University Press series which follows the titular format X and the Arts (for example Virginia Woolf [2010], T.S. Eliot [2016], and The First World War [2017]). More broadly, the volume will belong to the series Edinburgh Companions to Literature and the [&#8230;]]]></description>
		
		
		
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		<title>D.H. Lawrence and London: A special edition of the Journal of D.H. Lawrence Studies (2019)</title>
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		<pubDate>Tue, 27 Feb 2018 11:25:31 +0000</pubDate>
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					<description><![CDATA[&#160; I was guest editor, with permanent editor of JDHLS Sue Reid, of articles developed from selected papers given at the 14th International D.H. Lawrence Conference 2017, London Calling: Lawrence &#38; the Metropolis. These constituted a special edition of the Journal of D.H. Lawrence Studies (the peer-reviewed house journal of the D.H. Lawrence Society, which latter is based [&#8230;]]]></description>
		
		
		
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		<title>&#8216;The Art of Comparison: How Novels and Critics Compare&#8217;</title>
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		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Thu, 27 Mar 2014 13:13:24 +0000</pubDate>
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					<description><![CDATA[&#160; &#160; The Art of Comparison: How Novels and Critics Compare (London: Legenda, 2011) Comparison underlies all reading. Readers compare words to words, and books to all the other books which they have read. Some books, however, demand a particular comparative effort &#8211; for example, novels which contain parallel plot lines. In this ambitious and important [&#8230;]]]></description>
		
		
		
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		<title>&#8216;The Reception of George Eliot in Europe&#8217;</title>
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		<dc:creator><![CDATA[Catherine Brown]]></dc:creator>
		<pubDate>Mon, 17 Mar 2014 12:13:45 +0000</pubDate>
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					<description><![CDATA[  The Reception of George Eliot in Europe (London and New York: Bloomsbury 2016) traces the history of reception of Eliot’s works in fifteen European countries, using the work of contributors from each. It is part of the British Academy-funded European Critical Traditions: The Reception of British and Irish Authors in Europe Research Project. At this [&#8230;]]]></description>
		
		
		
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